mink • exhibitions & bio
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Exhibitions
August 2007:
April 2007:
April 2004:
October 1999:
January-August 1999:
December 1998:
July 1997:
April 1997:
November 1996:
January 1996:
September 1995:
May-june 1995:
January 1995:
November 1994:
October 1994:
April 1994:
September 1992:
BAG Gallery, Brooklyn, NY – solo exhibition, small format wax painting
BAG Gallery, Brooklyn, NY – Best of Show Award, small format wax painting
TOAST Tour, NY, NY – soft felt sculptures, paintings, tiny books with zippers
Richard Anderson Gallery, NY, NY – group exhibition
Medtronics, Minneapolis, MN – group exhibition
Minneapolis College of Art and Design, Minneapolis, MN – alumni group exhibition
Thomas Barry Fine Arts, Minneapolis, MN – “Flesh!” group exhibition
“Fleshpot” Acadia Cafe/Gallery, Minneapolis, MN
Acadia Cafe/Gallery, Minneapolis, MN – group painting exhibition
Coral Group show, Dane Bosworth Bldg, Minneapolis, MN – group painting exhibition
North Hennepin Community College Gallery, Minneapolis, MN
MFA thesis exhibition, Minneapolis College of Art and Design
Famine Chorus Gallery House, Minneapolis, MN – two-person painting exhibition
Hair Police Gallery, Minneapolis, MN – group painting exhibition
Cafe Gallery, Minneapolis College of Art and Design
Calhoun Square Gallery, Minneapolis College of Art and Design – MFA Group Exhibition
The University of the Arts, Philadelphia, PA – group painting exhibition
Education  
May 1995:
May 1991:
MFA Visual Studies – Minneapolis College of Art and Design – Concentration: Fine Arts
BFA Savannah College of Art and Design – Concentration: Illustration, Art History

Artist's Statement:

Over the years I have worked with various media including oil paint, latex, porcelain, felt, cloth, hair, thread, and zippers. My paintings are mainly in oil but include layers of collage material and beeswax.

In 2003, I made the commitment to have children, which also meant putting oil painting on hold. My body was not my own for four years as I gave birth to and nursed my two children.

If I had to put words to my imagery I would say organic, swinging, sucking, stretching, repetitive, bodily, thick, light, soft, vaginal, and bulbous. I lean towards using glossy reds since it is one of the most powerful colors, meaning that you would never use it for your dining room – it’s for conveying a sense of the body. I start somewhere and I add and edit until I feel personally closer to the painting, as you would a good friend or a lover.

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© 2008 Lucy Mink